• • • Kuda Lumping (: Jaran Kepang or Jathilan,: Kuda Kepang,: Flat Horse) is a traditional depicting a group of. Dancers 'ride' horses made from woven bamboo and decorated with colorful paints and cloth. Generally, the dance portrays troops riding horses, but another type of Kuda Lumping performance also incorporates trances and magic tricks. When the 'possessed' dancer is performing the dance in trance conditions, he can display unusual abilities, such as eating glass and resistance to the effects of whipping or hot coals.
Although the dance is native to,, it also performed by Javanese communities in, and. A Kuda Lumping dancer in, (1922) The origin of Kuda Lumping is uncertain.
Two main hypotheses have been proposed. The first suggests that Kuda Lumping may have arisen out of 's against the, as a ritual reenactment of battles. The second argues that it is based on -era troops riding against the Dutch. Kuda Lumping is known under different names in different areas.
While Kuda Lumping is the most common name in, in it is known as Jaran Kepang or Jathilan in; in, it is known as Sang Hyang Jaran. In Bali dance refer to the type of dance involving by spirit identified as.
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Performance [ ] Kuda Lumping may be performed in celebration of a special event, such as a boy's or rite of passage. It may also be performed as entertainment, in a style. It is generally performed in a cordoned-off area, with the audience separated from the dancers. Kuda Lumping is traditionally performed by a group of men drawn from the local community; this group can number from 2 to 8. The performers mount horses and dance while traditional instruments such as the,, and dog-dog drums are played. This portion of the performance ends when a dancer enters a trance, which is traditionally said to be caused.
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In Sang Hyang Jaran, the audience may participate by forming a chorus and singing. During their trances, the dancers may pretend to eat grass or drink water, while another performer or shaman uses a whip to direct them. In some performances, dancers may walk on coals or eat glass or fire, which can cause various injuries. The dancers also interact with the audience; in busker performances they may ask for money. In some areas the dancers serve as oracles to deliver prophecies.
After awakening from their trances, performers claim not to remember anything done while performing. In, the similar dance is called Jathilan, and is a part of performance. A Jathil is the youthful handsome horsemen riding horses made of weaved bamboo. Unlike common jaran kepang however, jathil never performed trance dances and stunts such as eating glass or walk on fiery charcoal. Traditionally jathilan dance was performed by gemblakan, today Jathil usually performed by female dancers. Equipment [ ].
A female dancer showing her rattan horse Dancers perform using rattan horses, generally colourful and decorated with beads and sequins. Adults use larger horses than children. Children's horses may also be cut from bamboo mats. Performers wear colorful clothes and may occasionally dress as soldiers.
The costume may also include small bells strung around the ankle. 2017 cma awards show full video. In comparison to the shaman, the dancers' costumes are more feminized. Symbolism [ ] Henry Spiller suggests that Kuda Lumping represents spiritual power and masculine virility, which is 'wild and uncontrolled. Yet ultimately a good thing'. Max Richter notes that the erratic movements of the 'feminized' dancers may 'draw on ideas about the subordinate 'irrational' female', while the slower, more deliberate movements of the 'may be seen as masculine and potent'.