Nov 06, 2014 Provided to YouTube by Sony Music Entertainment Kaleidoscope Heart Sara Bareilles / 莎拉芭瑞黎絲 Kaleidoscope Heart ℗ 2010 Sony Music Entertainment. Kaleidoscope Heart is the third studio album and second major label album by American singer-songwriter Sara Bareilles.
Tu agar keh de mujhe Chaand bhi le aaoon jaane jaan, jaane jaan Ek taara maang le Aasmaan le aaoon jaane jaan, jaane jaan Yaad tu jab aaye, neend bhi le jaaye Khwaabon ke jungle mein chhup jaaye, chhup jaaye Yeh zameen ruk jaaye, aasmaan jhuk jaaye Tera chehra jab nazar aaye Ho, tera chehra jab nazar aaye - 2 Hm, aa aa aa, hm, aa aa aa, aa aa aa. Yeh semi rukjaye sami. Lyrics Mm, aa aa aa, oh oh oh (Yeh zameen ruk jaaye, aasmaan jhuk jaaye Tera chehra jab nazar aaye Ho, tera chehra jab nazar aaye) -2 Ho, ho ho Tu ijaazat de agar Tujhse thoda pyaar main kar loon, jaane jaan Baith mere saamne Khaali dil khaali nazar bhar loon, jaane jaan Tu khafa ho jaaye, raat abhi ho jaaye Din tere aanchal mein chhup jaaye, chhup jaaye Yeh zameen ruk jaaye, aasmaan jhuk jaaye Tera chehra jab nazar aaye Ho, tera chehra jab nazar aaye Ho.
Opening with an airy a cappella title track, takes greater sonic risks than largely because can afford these left turns: she has a big pop hit underneath her belt, so she aims to buttress her artistic reputation. Hasn’t turned into overnight -- she remains steeped in the ‘70s, building her melodies around loping piano progressions, draping even her sprightlier moments in strings -- but there’s a greater variety of textures here along with stark melancholy undercurrents on her ballads, particularly the closing pair “Breathe Again” and “Blue Bird.” She executes this contemplation well, but her strength remains elongated melodies so well-crafted and memorable that they seem familiar upon first listen.
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Despite lushly detailed arrangements, never pushes this distinctly commercial gift too hard, letting the songs flow easily, and this gentleness is almost as appealing as those classically constructed melodies, tunes so softly insistent they could conceivably appear on adult contemporary charts anytime from 1971 to 2010. Because is so naturally commercial, it’s easy to dismiss these gifts, but her effortless music should not be taken for granted; it’s tough to write tunes that play this easy that wind up enduring, and has now done that two albums in a row, which is pretty impressive.